Johann Heinrich Fuseli1741-1825 Romanticism Swiss | |||
 |
|||
 |
|||
 |
|||
|
|
|
||||||||||
|
|
||||||||||
|
Silence Pintura Identificación:: 52492 Vea nuestra galería en Suecia |
Silence 1799-1801 Oil on canvas, 63,5 x 51,5 cm 1799-1801_Oil_on_canvas,_63,5_x_51,5_cm |
||||||||
|
|
||||||||||
|
Lady Macbeth with the Daggers Pintura Identificación:: 52497 Vea nuestra galería en Suecia |
Lady Macbeth with the Daggers 1812 Oil on canvas, 101,6 x 127 cm 1812_Oil_on_canvas,_101,6_x_127_cm |
||||||||
|
|
||||||||||
|
The Artist Moved by the Grandeur of Antique Fragments Pintura Identificación:: 62501 Vea nuestra galería en Suecia |
The Artist Moved by the Grandeur of Antique Fragments 1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other 1778-79_Red_chalk_on_sepia_wash,_415_x_355_mm_Kunsthaus,_Z?rich_The_young_Henry_Fuseli,_in_the_late_1770s,_portrayed_himself_reduced_to_despair_before_the_vastness_of_Rome's_remains._Since_he_had_spent_eight_years_studying_in_the_city,_his_awe_was_doubtless_exaggerated,_but_it_was_also_a_premonition_of_the_powerful_emotions_that_were_to_be_released_in_his_art._Author:_FUSELI,_John_Henry_Title:_The_Artist_Moved_by_the_Grandeur_of_Antique_Fragments_Form:_graphics_,_1751-1800_,_Swiss_,_other |
||||||||
|
|
||||||||||
|
Brunhilde Observing Gunther Pintura Identificación:: 62502 Vea nuestra galería en Suecia |
Brunhilde Observing Gunther Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other Whom_She_Has_Tied_to_the_Ceiling_1807_Pencil,_pen_and_ink_and_wash,_483_x_317_mm_City_Museum_and_Art_Gallery,_Nottingham_The_subject_is_taken_from_the_Niebelung_Saga_(X,_648-50)._Author:_FUSELI,_John_Henry_Title:_Brunhilde_Observing_Gunther,_Whom_She_Has_Tied_to_the_Ceiling_Form:_graphics_,_1751-1800_,_Swiss_,_other |
||||||||
|
|
||||||||||
|
Portrait of a Young Woman Pintura Identificación:: 62845 Vea nuestra galería en Suecia |
Portrait of a Young Woman 101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait 101_x_127_cm_Institue_of_Arts,_Detroit_This_portrait_is_painted_on_the_reverse_of_the_Nightmare._The_portrait_is_generally_believed_to_be_of_the_woman_Fuseli_loved,_Anna_Landolt,_who_was_a_niece_of_the_Zerich_physiologist_Johann_Caspar_Lavater_(1741-1801)._Lavater_and_Fuseli_were_close_friends,_but_Fuseli's_suit_was_rejected_by_Anna's_parents,_and_it_may_not_be_coincidence_that_the_portrait_is_on_the_reverse_of_his_painting_The_Nightmare._Artist:_FUSELI,_John_Henry_Title:_Portrait_of_a_Young_Woman__,_painting_Date:_1751-1800_____Swiss_:_portrait |
||||||||
|
|
||||||||||
| Artista Previo Próximo Artista | ||||||||||
|
|
||||||||||
| Johann Heinrich Fuseli | ||||||||||
| 1741-1825 Romanticism Swiss | ||||||||||
|
|
||||||||||
IntoFineArt Co,.Ltd.